Artist residency and projection mapping installation commissioned by Motion Magic Shanghai, a two-month research and production period across a series of decommissioned oil tanks.

Development of an immersive visual universe around the motif of the vase, a universal object deeply tied to Shanghai's cultural and export history reinterpreted through a contemporary visual language and synchronised with an original score by Bogdan Nastase.

2024 Issue

Design and development of the website for Athletica, a biannual fashion publication celebrating the moving body through photography and contemporary sports culture.
In collaboration with Diplomatie Studio, creation of the digital identity and interactive experience for the 2024 issue — including bespoke animations, layout design, and visual adaptations from the print edition.

Pleated, Twisted and Laced Halobutyl Tractor Tubes Bag

Sculptural bag developed from pleated, twisted, and laced halobutyl tractor inner tubes.
The project explores tension, weight, and elasticity through industrial materials, translating raw construction processes into a wearable form.

The bag was presented during Ghost Romance, an end-of-year fashion and music event held in Zurich in December 2025, within a hybrid setting combining club culture, retail space, and live performances.

3D design and visualization.

Ongoing digital project for Galerie Kreo.

3D modeling and animation of Konstantin Grcic’s Karbon Lounge Chair, produced in collaboration with Hugo Gauffret. Conceived for a gallery recognized internationally for its experimental approach and its collaborations with iconic contemporary designers. Project currently in development.

PLEESANCE, an independent Belgian film studio.
3D teaser and a small set of renders around the figure of the raven, including a simple animation of the creature.

L'Atelier Magazine — “Sur la Fragilité” Co-realisation of the editorial design for L’Atelier Magazine, published by EPFL Press, exploring the notion of fragility across materials, bodies and environments. The project included graphic design contributions to the 200-page print edition, as well as the writing of an article reflecting on fragility as both condition and potential.

A digital extension was developed alongside the publication, translating the conceptual research into an online format and offering an expanded reading experience connected to the printed issue.

A dedicated e-commerce platform designed for Hélène Nepomiatzi, built on Shopify and tailored to her unique approach to accessory design.

The website includes a private sales system, a minimal and intuitive navigation structure, and a visual language aligned with her refined aesthetic.

Custom 3D portfolio website conceived as an infinite tunnel, inspired by the logic of the supermarket aisle.
The project translates an object- and image-driven practice into an immersive, spatial navigation system.
Art direction, interaction design, 3D design, and development.

Project developed for Au Papillon, the nail studio founded by Nadia Theubet. Creation of a full visual identity, including the logotype, graphic language and social media adaptations.

Design of communication materials such as posters and stickers, shaped to support the brand’s presence both online and in its physical space.

Portfolio developed for Creative Director Lilya Turki, in collaboration with EPRC. The project translates her multidisciplinary career — spanning fashion, luxury, beauty and art — into a clear and refined digital expression.

The website was conceived as a structured yet fluid showcase of her collaborations with brands such as Prada, Alexander McQueen, Tiffany & Co, Diptyque, Aesop and Marie Claire, as well as her work as co-founder of the digital gallery ARCHYVIO.

The interface highlights her approach to image-making, strategy and creative direction, offering a curated overview of her projects while keeping the focus on editorial clarity and craftsmanship.

Project created for the Fond de dotation Alain Fleischer, supporting the work of the contemporary artist and founder of Le Fresnoy. Design and development of a digital platform dedicated to the long-term preservation of the artist’s body of work — including writings, experimental films, sculptures and photography. Implementation of a clear and modular interface to highlight the diversity and depth of the archive.

Prix Bachelor Bongénie Grieder (Video & Visual Direction)

Creative direction, motion design, and spatial composition for Maxence Guenin’s Prix Bachelor Bongénie Grieder presentation.
A video installation was displayed in Bongénie’s storefront, capturing the atmosphere of the 28’’ collection: a raw dialogue between thermic materiality, craft gestures, and typographic experimentation.
The film reflects the tactile processes — rubber, coffee, plastic — and the visceral contrast between the human body and industrial surfaces, echoing the conceptual roots of the project.

3D modeling, texturing, lighting, and animation of Maxence Guenin’s new bag design for MODE SUISSE.
The piece was digitized as a fully reconstructed 3D object, used for communication, social media, and launch materials.
This digital interpretation highlights the craftsmanship of the object while translating it into a contemporary, motion-driven visual language.

Scenography & Visual System for Talks

New Ways of Seeing is an artistic and cultural initiative exploring how emerging technologies reshape contemporary image-making. Founded in 2025, the project operates at the intersection of art, technology, performance, digital culture and research.
The festival’s first edition unfolds over two days between the Maison Européenne de la Photographie and the École Supérieure du Digital, bringing together artists, curators, researchers, designers and creative technologists to open a shared space of reflection on shifting perceptions, identities and creative practices.

Design and development of the visual scenography for the conference day held at the École Supérieure du Digital.
Creation of large-scale 3D loops and digital paintings echoing the festival’s identity, deployed as immersive stage backdrops throughout the talks and presentations.
The visual system extended the graphic language of New Ways of Seeing into a spatial and performative environment, merging technological aesthetics with editorial clarity.

Photogrammetry & Digital Archiving of Performances

New Ways of Seeing is an artistic and cultural initiative exploring how emerging technologies reshape contemporary image-making. Founded in 2025, the project operates at the intersection of art, technology, performance, digital culture and research.
The festival’s first edition unfolds over two days between the Maison Européenne de la Photographie and the École Supérieure du Digital, bringing together artists, curators, researchers, designers and creative technologists to open a shared space of reflection on shifting perceptions, identities and creative practices.

Production of 3D captures documenting performances presented during the Space Oddity exhibition, featuring artists exploring hybrid visual practices at the intersection of photography and sculpture.
The resulting reconstructions provide a digital archive of the festival’s performative dimension, preserving spaces, gestures and scenography for research and future activation.

A cross-medium exploration combining 3D modeling, AI-generated imagery, and 3D printing.

Developed through Plasticity and Blender, then extended using AI tools and physical prototyping, the project investigates the shifting boundary between digital objects and real-world artifacts.

Between sculpture, fashion, and speculative design, the work questions authorship, materiality, and the evolving role of images in hybrid creative processes.

At a time when music has never been more accessible, regardless of place, how can an interactive and evolving album be composed—one that responds to its environment?
As an ode to wandering through Lausanne, listeners discover a polyphonic orchestra by moving through the city’s key locations. The smartphone becomes a compositional tool, where multiple sound layers are revealed through walking, freeing music from a fixed duration and instead anchoring it to the rhythm of spatial exploration.

Through geolocation, the listener-as-composer activates new musical tracks as they progress. A more organic mode of listening emerges, in which compass orientation and binaural sound uncover the abstract, digital matter that quietly surrounds us.

Visual identity for a lecture series at ECAL (IKEA Auditorium), featuring international artists and designers.

The project merges graphic design and 3D experimentation through posters and motion pieces, structured around a central abstract form.

It explores the contrast between editorial clarity and digital distortion, positioning 3D as an active element within visual communication.